I had an unusual agenda for my spare time today: Visit a couple of places that are in the process of going out of business in the hopes of getting some really good deals. My two targets were Tower Records (the demise of which I discussed
earlier) and the LBJ store of Brook Mays (the onetime print music headquarters), in the hopes of finding some cheap CD's and either solo/ensemble music or Aebersolds, respectively.
But since I was headed towards downtown anyway, I had to make a little detour to CD Source, as it had been a few months since my last trip there. After lunch at the Panda next door (where I randomly ran into
Eric, who was grabbing a bite on his way to work), I hit my favorite used CD place and, as almost always, came out with some new treasure. (If you're interested, I got the following: Clayton Brothers,
Siblingity and Astral Project,
Elevado, along with two other "replacement" CD's [i.e. ones I used to own but somehow were permanently "borrowed" by somebody or another]: Ed Petersen,
The Haint and Kevin Mahogany,
Songs and Moments.)
When I arrived at Tower, I had a little trouble finding a parking place, which I don't think had ever happened to me when the company was thriving. I got a kick out of the signs plastered all over the store: "If You Don't Buy It Today, It Might Not Be Here Tomorrow." It must have been longer than I thought since I'd visited there, because I had no clue that jazz had been moved to the basement with the classical and world music.
And the general verdict? I need to come back again when the markdowns are up to 40% or so, because, even though they still have a pretty good jazz selection, far too many CD's still have the same $18.95 list price that helped sink the company in the first place, and with the discount just being 20%, that's still more expensive than Amazon. I did pick up two things: Chris Potter's newest,
Underground, which I got for an Amazon-ish fourteen bucks, and the self-titled U.S debut from Steps Ahead, which I'd never seen on disc before.
I did have to deal with a rather snotty employee at the checkout counter. I have one of those cards that could be used for credit or debit, so they gave me one of those little keypad devices to enter my PIN, but it didn't work even when I did everything correctly. As I calmly explained that I'd done what he and the machine had asked me to do, he seemed to get aggravated with me rather quickly, saying "Well, you're
still gonna have to enter your number again!" with a raised voice. I made the universal "calm down" sign with my hands as I said "OK, easy now." I did realize at that moment that, yeah, in a few weeks that guy would be unemployed, but still, that was no excuse for acting like that to a customer, especially if he'll be job-seeking in the near future.
After taking the long way up Preston Road and gawking at all the huge houses in Highland Park, I arrived at Brook Mays. Much to my dismay, I found that the vulturing would be over for today, as there was a sign on the door stating that all the print music had been sold (my guess is that they sold it to a large retalier like Pender's, which I'm sure netted them more money than selling it at 40% off like they'd done at the smaller stores).
So I guess my search for carrion was half successful today. And while it's never good to see a company go under (especially one that employed me for so long), it was nice to catch a bargain or two in the process. More Tower vulturing later, I suppose.
RELATED READING:
Another take on the demise of Tower.
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