KID: I have to tell you, I didn’t get to practice very much since the last time I saw you.
ME: Oh yeah? So you had a busy Thanksgiving?
KID: Yeah, my two cousins got married.
ME: (ponders that for a second)
KID: Not to each other.
ME: That’s good to hear.
Monday, December 04, 2017
Kids Say the Darnedest Things About Their Families
Wednesday, November 08, 2017
Teachers Say the Darnedest Things When Their Students Make Mistakes
ME: So what does this term mean?
KID: Legato.
ME: Yes, the word is “legato,” but do you know what it means?
KID (hesitates): I can’t remember.
ME: So you forgotto?
Tuesday, November 07, 2017
Just Curious...
Wednesday, November 01, 2017
Let's Talk Baseball for a Minute
When the Astros moved to not only the AL, but the AL West, things changed a bit. It was really weird being at Minute Maid in the summer of ‘16, with Dad and me rooting for opposite teams. But I’ve spent far more years in DFW than I did in Houston, and I’m totally invested in the Rangers.
Am I bummed that the Astros took home a championship before my Rangers did? Sure. Will I resume rooting for the Rangers to whomp the Astros at every opportunity once next season starts? You bet! But tonight, I celebrate with my hometown and its fans, and lots of other Texans. And I already can’t wait for next baseball season to start.
Wednesday, October 18, 2017
Kids Say the Darnedest Things About Instruments They Don't Recognize.
KID: Whose French horn is this?
(I look over and notice that the kid is in fact carrying a trombone.)
KID #2: That’s not a French horn!
KID #3: Yeah, that’s a trumpet!
(I’d like to think that Kid #3 actually knew what it was and was just messing with the first kid.)
Thursday, October 05, 2017
A Smal Bit of Music Humor
My order number for this silent lunch? 433.
Monday, September 18, 2017
KIds Say the Darnedest Things When They're Just Getting Started
KID: I don't know why, but I get a whole lot of enjoyment from pushing this button. (It was the G key, if you're curious.)
ME: Well, if that's the case, you'll really enjoy the saxophone in general, because you get to use that key a lot.
Monday, September 11, 2017
We Still Remember
Friday, August 11, 2017
Kids Say the Darnedest Things About Their Abilities
Thursday, August 10, 2017
Kids Say the Darnedest Things About Musical Interpretation
Wednesday, August 09, 2017
Kids Say the Darnedest Things at the End of Sectionals
Saturday, May 27, 2017
Kids Also Wear the Darnedest Things
Kids Say the Darnedest Things at State Solo & Ensemble
Thursday, May 18, 2017
An Apt Quote for Today
Monday, May 01, 2017
Kids (and Their Teacher) Have the Darnedest Fixes for Rehearsal Problems
Tuesday, April 25, 2017
Auto-Correct Says the Darnedest Things
Wednesday, March 29, 2017
This Could Have Been an Alarming Development
Saturday, March 25, 2017
Baristas Say the Darnedest Things, and I Respond in Kind
Saturday, February 25, 2017
(College) Kids Say the Darnedest Things About Famous Jazz Venues
Friday, January 13, 2017
The Annual Band Marathon Never Fails to Please
The concert is really a series of five mini-concerts, with each band--a freshman band and four high school bands (which freshmen can make as well, but they surrender their chair in the freshman band if they do), all at 45-minute intervals. That way, if family members are only attending for their kid's band, they can make way for others to be seated (I have no idea if any school auditorium could hold the families of all five bands' members, plus all the directors and private teachers, not to mention the members of other bands who stick around to see their friends play). Also, having preset starting times allows the families of the later bands to show up as close to the downbeat as possible.
As always, what follows is not in any way a review of the concert, but instead some random thoughts that entered my mind as I was listening:
- I mention every year that, as a whole, I prefer the newer "wind ensemble" music to the older "band" music, but a well-played classic will still thrill me, especially if it's something I've played before. This year, almost all the music was new to me, save for the occasional march used to cap off a group's program. A lot of lesser-known (at least to me) new composers were represented (Ryan George, Ryan Nowland, and Daniel Weinberger, to name a few), and there are some brilliant fanfares out there that started a few bands' performances on an energetic note. And I was reminded how much I like Brian Balmages' music; it was extremely cool that the band who played two of his pieces Skyped him in during part of this morning's rehearsal.
- One of the bands used student announcers to introduce each piece, which I thought was a nice touch. It wasn't that the clinician himself didn't talk, but it was cool to hear some different voices from the mic, and I'm sure it was a thrill for the kids (and their parents).
- Speaking of...well, speaking, all the clinicians engaged with the audience (there have been times where some of them have barely said a word). As I've noted in previous years, since the programs often read "to be selected from the following" and then list a variety of pieces which may or may not be played, it's crucial for the audience to know what they are about to hear, or just heard. Plus, as I see it, an engaged clinician just makes a better impression on the audience.
- Kudos to the organizers for doing something I've asked for in these pages for years: Listing composers by first and last names, instead of just last names. It's one thing if you say "Sousa" (most people won't mistake John Philip for some random guy named Fred Sousa or something), but with so many new composers being programmed, it's good to provide more information.
- It wasn't as chronic as in years past, but there still were some problems with door etiquette among certain audience members. If you have to leave, please do so quickly and quietly, and make sure the door doesn't slam behind you. Several of the pieces had very soft introductions, and I hope none of the door slams made it onto the recording.
- The one thing I've noticed this year that's different among the announcements to the audience is the one about TMEA licensing agreements prohibiting recording of the concerts...and all I can say is, it's about time! And believe it or not--save for the one guy at last weekend's middle school concert who had a full-on camcorder with a tripod--people are obeying the request. It's so nice to be able to watch the whole concert from anywhere in the auditorium, instead of through someone's iPad.
- Only one more comment about the audience: I bet there's at least one person who will have better concert etiquette next time, after their not-whispered conversation wafted into the auditorium during an unexpected grand pause in one of the marches...)
- I sometimes use this annual post as a chance to brag on my studio (as in how many of my students made the bands); it's smaller this year because of some heightened commitments elsewhere, but I still had students in three of the five bands (even if one of them made a band on an instrument other than the one I teach him). It's always nice to be able to stand up when private teachers and directors of the students on stage are recognized.
- Even if I don't have a student in the top band, I always stay for the entire concert. Why? Among other things, because the college directors who have the top two bands always do amazing things, especially considering the short time they have (Thursday evening and Friday morning/afternoon) with their bands. Texas is famous for its school band programs, and when you combine the cream of the crop with some inspiring university bandmasters, some magical things happen. Kudos to Bobby Francis from TCU (Wind Ensemble, aka top band) and Dennis Llinás from LSU (Wind Symphony, aka second band) for bringing so much out of these young musicians in such a short time.